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Posts Tagged ‘Film’

English: Full sign of the Louisville Palace, b...

Louisville Palace, by user Innominate on Flickr http://flickr.com/photos/seemesnap/210663249/, using a compatible Creative Commons license. I reduced and cropped the image, and I release my changes under the same license. (Photo credit: Wikipedia)

THURSDAY’S TOP TEN  this week is a trip down the nostalgic road that used to lead to the grand movie palaces of the past, the beauties I featured a couple of weeks ago; See https://pbenjay.wordpress.com/2014/05/16/art-deco-theaters-abound-in-california-fab-foto-friday/ and those little niceties that those of us who grew up in the40’s and 50’s took for granted even in our own small town local movie house.  You could be in any town USA and locate the movie theater by its illuminated large vertical sign with the name of the theater and below it the triangular marquee lit with hundreds of light bulbs announcing the title of the movie playing.  Now we have faceless movieplexes, devoid of charm and character.  So hey Gen X & Gen Y – this is what you missed!

THE RED VELVET CURTAIN:  As patrons entered the movie theater prior to showtime, they naturally lowered their voices and spoke in hushed tones as they found their seats. There was something about the lush, heavy red velvet curtain covering the screen that gave the auditorium an aura of majesty and demanded that people be on their best behavior. When folks were seated, they talked quietly among themselves, which was possible because the latest pop hits weren’t blaring out of oversized sub-woofers. If there was any soundtrack, it was atmospheric Muzak playing softly in the background. When the lights dimmed and the curtains parted with a flourish, the audience fell silent in anticipation.  Curtains haven’t covered movie screens since theater owners figured out how to turn those screens into temporary billboards. Today the screen is almost never blank; if the main feature isn’t showing, then a constant slideshow of advertisements and trivia questions is.

UNIFORMED USHERS:  Those gallant men and women who escorted you to your seats at the cinema used to dress in more finery than a decorated soldier. But that was at a time when movie ushers did much more than tear tickets and sweep up spilled popcorn; they kept an eye out for miscreants attempting to sneak in without paying, offered a helpful elbow to steady women walking down the steeply inclined aisle in high-heeled shoes, and were quick to “Shhh!” folks who talked during the movie. Ushers carried small flashlights to guide patrons who arrived after the movie had started, and they were also the ones who maintained order when the film broke and the audience grew ornery. Of course, cell phones hadn’t yet been invented, so doctors or parents who’d left youngsters home with a babysitter often mentioned such to the usher as they were seated, so he’d be able to find them during the show if an emergency phone call was received for them at the box office.

DISH NIGHT:  One gimmick that kept movie theaters operating during the very lean 1930s was Dish Night. Money was obviously very tight during the Great Depression, and families had to be extremely cautious when it came to any discretionary spending. A night out at the movies was an unnecessary luxury, and cinema audiences dwindled. Theater owners lowered their ticket prices as much as they could (sometimes as low as 10 cents for an evening feature), but what finally put bodies in seats was Dish Night.
Salem China and a few other manufacturers of finer dinnerware struck deals with theaters across the U.S., selling the theater owner their wares at wholesale and allowing their products to be given away as premiums with each ticket sold. Sure enough, soon housewives were demanding that their husbands take them out to the Bijou every week in order to get a coffee cup, saucer, gravy boat, or dinner plate to complete their place setting. One Seattle theater owner reported by distributing 1000 pieces of china costing him $110 on a Monday night, he took in $300—a whopping $250 more than he’d made the previous Monday.

ASHTRAYS:  Movie theater seats didn’t come equipped with cup holders until the late 1960s, and even then it was something of a novelty that only newer cinemas boasted. What every seat did have for many decades before then, however, was a built-in ashtray. You can probably guess why that particular convenience has gone the way of the dodo bird: fire regulations and second-hand smoke dangers and all that.

NEWSREELS:  Before TV became ubiquitous, most Americans had to get their breaking news from the radio or the daily newspaper. But neither one of those sources came equipped with moving pictures. Hence, the newsreel, a brief “you are there” update on what was going on in the world, was invented. Newsreels were commonly shown prior to the main feature and was the only way most people first saw actual film footage of events like the Hindenburg explosion or the Olympic games.

DOUBLE FEATURE AND CARTOON:  Movie patrons of yore certainly got a lot of bang for their buck (actually, more like their 50 cents) back in the day. Very rarely would a cinema dare to show just a single motion picture—patrons expected a cartoon or two after the newsreel, and then a double feature. That is, two movies for the price of one. Usually the second film was one that wasn’t quite as new or perhaps as prestigious as the main attraction, which is why we oldsters sometimes still describe a bad B-movie as “third on the bill at a double feature.”

EXQUISITE DECOR;  There’s a reason that some of the larger downtown theaters in big cities were called movie palaces—thanks to elaborate architecture and decorating the Riviera or the Majestic were probably the closest most Americans would get to a palatial setting. Such cinemas were called “atmospheric theaters” because they were built and decorated with a theme, often one featuring a foreign locale such as a Spanish courtyard or a South Asian temple. Atmospheric theaters had lobbies that were several stories tall with one or more grand chandeliers hanging from the ceiling. No wonder folks dressed to go to the movies back then; wouldn’t you feel out of place wearing jeans and a baseball cap amid such splendor?

CRY ROOMS: Those elaborate movie palaces had many amenities that not every neighborhood theater had, including “cry rooms.” A cry room was a soundproofed elevated room in the back of the theater with a large glass window in front so Mama could still watch the movie (and hear it over a public address system) while trying to calm down a fussy baby. Many theatres that provided cry rooms also came equipped with electric bottle warmers, complimentary formula, and a nurse on duty.

SERIALS:  A staple of the Kiddie Matinee was the Chapter Play, or Serial. Always filled with action and adventure, and either cowboys or space creatures, these 20-minute shorts were continuing stories that ended each installment with a cliff-hanger. And if even if the producers sometimes cheated and the hero managed to survive an automobile explosion even though he hadn’t gotten out of the cockadoodie car in last week’s episode, kids made sure they got their chores done and weekly allowance in hand early each Saturday. No one wanted to be the only kid on the playground Monday who hadn’t seen Crash Corrigan battle Unga Khan and his Black Robe Army.

“LADIES PLEASE REMOVE YOUR HATS” SIGNS:  A staple of the Kiddie Matinee was the Chapter Play, or Serial. Always filled with action and adventure, and either cowboys or space creatures, these 20-minute shorts were continuing stories that ended each installment with a cliff-hanger. And if even if the producers sometimes cheated and the hero managed to survive an automobile explosion even though he hadn’t gotten out of the cockadoodie car in last week’s episode, kids made sure they got their chores done and weekly allowance in hand early each Saturday. No one wanted to be the only kid on the playground Monday who hadn’t seen Crash Corrigan battle Unga Khan and his Black Robe Army.

A special thanks and shout out to my chief  “Sourcerer” Gail,  who sent me the link to the Mental Floss web site where this was featured.

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Leonardo DiCaprio

Leonardo DiCaprio (Photo credit: Wikipedia)

WOW – 2 hours and 55 minutes and it just flew by!  This movie is so fast-paced and never lags is clearly one of the reasons you don’t realize just how long it is.  Fact: It took 7 years to make!

Based on a true story, it sheds some light on why the economy tanked.  DiCaprio spent months working with Belfort in an effort to bring the author’s experiences which led him from “pond scum” to the Wolf of Wall Street, to life on the screen. The film is all about sex, drugs and greed and barely missed receiving a NC-17 rating.  Scorcese frantically cut some of the more salacious scenes and just squeaked by not having the movie rated NC-17.  One might wonder why such a fuss might be made about sex and naked people when these very people committed despicable acts and ruined other people’s lives, like that wasn’t offensive enough?  

The Wolf of Wall Street is a funny movie, the audience at the SAG screening I attended laughed all the way though it.  Yes, it was funny, because the dialogue is witty, clever and oh so natural, enhanced by superlative performances by all especially DiCaprio and Hill.  However, now a couple of hours later as I mull over this post, I think the movie probably glamorizes extra-marital and unsafe sex, STDs, excessive substance abuse as well as dishonesty and greed.   Yes, there is a comeuppance at the end of the film, but perhaps not as much in comparison to havoc the players wrecked on the lives of others during that 5 year run.  

Scorcese, at age 71, is at the top of his directorial powers, seemingly invigorated by the energy of the material and the fact that his ultimate financiers, Red Granite, gave him the green light to go all out and push the envelope with no holds barred.  And that’s exactly what he and his actors did which just might be why given the freedom to go all out, the acting and dialogue is absolutely believable.  And as I type that line, I want to add in parenthesis, disgusting and despicable as it was!  

I have never been a huge DiCaprio fan, however, I’m happy to say he was AMAZING!  What an exhausting and physical role!  His looks are maturing and again let me say, his role as Jordan Belfort is surely going to put him in the final 5 for Best Actor.  

As a final observation, I thought his wardrobe was impeccable, particularly loved his ties and definitely did not like the dye job on his hair, a very unnatural black.

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Denzel Washington, Ryan Reynolds, Sam Shepherd

SAFE HOUSE

There was NOTHING safe about being in that house!

SAFE HOUSE, a spy-thriller-action-packed film starring Denzel Washington, Vera Farmiga, Sam Shepherd and Ryan Reynolds is scheduled to be released this coming weekend. 

If you like espionage, especially on the international level, this movie is for you. 

If you like unlikely heroes  rising to the occasion and beyond (not exactly a foreign concept), this movie is for you. 

If you like conspiracy theories (I do), this movie is for you.

If you like fast and furious editing that heightens the drama, this movie is for you.

The acting is fine, not Academy Award winning, but the characters were portrayed as believable and Ryan Reynolds is great.

Action-packed is a word often carelessly tossed around by studio public relations and marketing personnel;  However in this case it seemed as if the action never stopped.  Between the frequent,  almost constant car chases and the shoot-outs every 10 minutes or so,  I found myself cringing in my seat and gripping the arm rests for the entire 115 minutes of the movie.   The bombing of the safe house was particularly intense and loud -ACTION galore!

Trust no one.  Suspect everyone.  Believe no one.  Enemies make strange bedfellows.  Watch your back.

SAG showed Act of Valor last night;  A movie full of heroic acts, team work and a lot of  “I’ve got your back”.  Tonight’s movie had a lot “I’ve got your back” too except there was always a knife in it.

Like the movie poster says, NO ONE IS SAFE

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Red Tails, Tuskagee Air Men, fighter pilots, George Lucas,

Red Tail Airplane

Can you imagine yourself sitting in the cockpit of a P-47, a refurbished hand-me-down plane?  Better yet, imagine you’re piloting this plane as it soars, dips, twists and dodges strafing bullets.  Well if you can’t imagine it, then head to your local movie theater and watch RED TAILS.  In the first 10 minutes of the film, you WILL feel like you’ve been flying, swooping down to attack a German munitions train.

The special effects  are worthy of a blog post of their own, however, this writer doesn’t have the technical knowledge or background to speak intelligently on the subject.  All I can tell you is that they are phenomenal and the movie credits  list no less than 100 digital artists.

It took George Lucas, that Hollywood icon, twenty years to produce this film about a story begging to be told.  And it was about time!  Thank you George!

HOWEVER….

The dialogue is lame and wooden BUT the battle scenes are spectacular, thanks to those 100+ digital artists.  The main story line is between two pilots, the squadron leader and the reckless hotshot.  Much like Maverick and Ice Man in Top Gun. The script is highly predictable with way too obvious foreshadowing.

There are a lot of good actors in this film, however unfortunately their characters are as complex as cardboard game pieces stating the obvious. Their lives are never fleshed out and we never learn any of their back stories.  Even the make up of the squadron is formulaic: There is the alcohol abuser son trying desperately to please Daddy, , a testosterone – charged ladies man and daredevil,  a devoutly religious good boy, and the eager fresh meat new recruit.  Almost as typical as a reality TV show cast.

For those of you too young to “get” the title of this blog,…There was a very popular song in the 1950’s entitled, Red Sails in the Sunset  and the 332nd fighter group aka the Red Tails always took off at sunrise.

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